Galleries

Paul Gauguin, who started painting as a hobby, developed an impressionistic style. He had participated in the last five impressionist exhibitions. When this current was losing its validity, it began to use expressive pure colors, rhythmic and linear style and became influenced by Symbolism. Together with many painters, he worked on Kluazonism, a painting style in the Pont-Aven area of Breton, where dark and thick lines surrounded bright colors. In his second half of his career, he attempted to understand the mood of the natives in Tahiti. He made simplified portraits in line with primitive art, which he used to simplify the outlines and use large areas of intense color.

Rembrant, the oil painting and engraving artist of the 17th century, is one of the most important names in the history of art with his works realized with rich colors, different brush strokes and light-shadow technique. With his skill in the use of light and shadow, he has realized oil painting, gravure and drawing works. Rembrant's paintings have brought Dutch painting to the highest levels.

Claude Monet was a painter of light. Monet carefully observed the color masses, surface shapes and air formed by the effect of light and carried the impression he obtained onto the canvas. The sky was the painter of the reflections of snow and clouds in water. He was the first painter to paint with white color alone. He described the same picture in different weather conditions. Over the years, these works have become more methodical and have reached the highest level with "water lilies".

Claude Monet's "Woman with a Parasol, Madame Monet and Her Son", "Boulevard des Capucines" and "The Rue Montorgueil in Paris. Celebration of 30 June 1878" the details of his paintings, color transitions and brush touches;

Paul Cézanne, one of the French post-impressionists, uses strong and dark colors in his first works in which he explores striking subjects. Paul Cézanne started to use bright colors in his paintings after meeting with Impressionists. The main factor in the final composition is the color. Analyzes the basic geometric order of nature and removes superficialities from the paintings. It starts using large paint stains. These layers become larger and more abstract. These preferences can be observed in the late period landscape and figure studies. This radical approach also affects Cubists in the context of composition.

Paul Cézanne's "Still Life with Apples and Peaches", "Mont Sainte-Victoire" and "Still Life with Apples”, the details of his paintings, color transitions and brush touches;

Vincent van Gogh's life and art were intertwined. His paintings were reflections of her life on the canvas. The atmosphere in his first paintings was dark until he went to Paris. The two years he spent in Paris were the best he had ever felt. The colors on his palette were coming to life. The use of color and brush domination began to reflect his personality. In his paintings in Arles, the use of color and thick paint intensified. She had delivered her paintings almost completely to color. He just didn't confine oneself to with a brush. The spatula was creating new color sequences with its fingers or paint tube. In the later periods, it was seen that he found importance in rhythm and movement rather than color by discovering real motion.

Vincent van Gogh's "Wheat Field with Cypresses", "The Yellow House" and "The Harvest" the details of the paintings, color transitions and brush touches;

Vincent van Gogh's "Self-Portrait as a Painter", "Wheatfield with Crows" and "The Potato Eaters" the details of his paintings, color transitions and brush touches;

On Tumblr.com, user named "Paintters.co" colorized a lot of the black white photos of world-famous painters. Examples of this photographic new works...